Very interesting that, for the sweeps, Name That Tune was a Top 15 show that actually performed better than quite a few first-run shows (game or otherwise) that were renewed (LMaD, TTD, $ale).
The criteria that Genesis put forth for syndie
$ale (the show had to be on access or later and could only do early fringe if the NBC station in the market didn't air daytime
$ale*) kept clearances low and they either lacked some pretty big markets (LA and DC for two) and had spotty clearances in others (constant preemptions on WOR in NYC for sports, being on the 4th tier indie in Boston). Modifying the rule for season 2 to allow any post-daytime airing allowed for more stations but in turn the show got weaker.
I'm more amazed that
TJW lasted as long as it did though having some strategic clearances (the aforementioned WOR in the heyday of superstations) probably helped a ton.
* e.g. The Albany, NY market had WTEN airing the first season of syndie
$ale at 5:30 PM while WNYT never cleared the NBC version at all.