NTT finished in the Top 20 in 84, and outperformed a few other rookie shows that got renewed. LMAD and nighttime $ale come to mind.
I’ve said before that mounting a daily musical game show had to be tough. NTT alone had a roster of close to two dozen shows per taping, and even though they were only playing a short snippet I can’t imagine it being cheap, especially with someone like Sandy Frank producing. Maybe some of the songs were public domain?
Wheel’s sudden rise as a juggernaut always fascinated me. I know it was NBC’s highest-rated game show, if not highest-rated in NBC daytime (I forget). But that’s still a low bar to set given what daytime looked like in the early-80s. And yet, even with NY and LA not picking it up until midseason it somehow blew everyone out the water. By the end of the first season it had double the ratings of Feud.
I think program directors seemed to believe that every game placed in syndication was expected to perform as well as Wheel and J! . Think about how many shows were one-and-done for example: TPIR, CS, High Rollers, Break The Bank, Strike It Rich, Wipeout, Anything For Money, Every Second Counts, Headline Chasers, etc.
As for Wheel's rise, it was already climbing just before it hit syndication (2nd highest rated NBC show behind Days), so I believe it was a case of right place, right time.